Tuesday Night Cafe Theatre
Let's Get Intimate
TNC History
Tuesday Night Café Theatre:
A History and Handlist of ‘TNC’
By: Cece Culver-Grey
History
McGill University’s Tuesday Night Café Theatre, commonly referred to as TNC, was founded by Peter Grossman and Veronica Brady while they were undergraduate students between 1976 and 1980. Brady was the initial Artistic Director, while Grossman was the first Technical Director. Brady would thus be responsible for selecting what shows to do and Grossman would then organize their staging. TNC’s founding was largely made possible by the help and support of Harry Anderson and Patrick Neilson, two professors in the Department of English at the time. Anderson was responsible for the initial concept as he noted that the unused space of Morrice hall’s room 106 could effectively be used as a theatre space to complement the grandeur of Moyse Hall.When he was able to confirm that he could supply the basic resources for the new theatre project, including blackout curtains, lighting poles and a small lighting board among other things, Brady and Grossman jumped on the opportunity. While Anderson was responsible for initially obtaining the space and the preliminary resources, Neilson contributed to the physical construction of the new theatre by setting up the grid, lighting, platforms and curtains using the initial funds of $1500. Later support was also received from Michael Bristol, both financially and spiritually, when he became the head of the program. In addition to the support provided from within the Department of English, Grossman recounts the vast support and encouragement the pair received from the student community itself. There was a core dozen or so students who helped endlessly with the productions themselves, including the publicity, front of house organization, stage crew and so on.
At the time of TNC’s founding, the only other student theatre organization was Players’ Theatre Club, not associated with the Department of English. Neilson describes the Players’ of the time as being a kind of ‘‘closed shop that was run by grad students or fourth-year undergrads” (Neilson). Grossman further describes the club to have been “private, insular and intimidating to outsiders” when he arrived at McGill in 1976 which is why he believed McGill’s theatre community was in need of something like TNC (Grossman).
TNC officially launched in November of 1977 when it began holding theatrical events on Tuesday nights as Tuesday was one of the only nights of the week that was lacking in theatrical activities at the time. Neilson built tables and stools for the theatre and audiences would come and have coffee while they were being entertained by short plays, music and comedy. Although most details have been lost, Grossman recalls having such guests as Spaulding Gray, The Blackbird Theatre from Baltimore and Maxim Mazumdar perform in these cafe-type settings. As TNC developed, it began producing complete plays with multi-night runs. Amidst these early productions TNC was also host to a comedy group which included Cathy Disher, who went on to an acting career on CBC, and Ed Saxon, the Oscar winning producer of Silence of the Lambs.
During these first four years, TNC operated largely informally until it officially received its charter from the English Department in 1980. TNC’s lasting success is largely due to the devotion and hard work of its early members. With each of these early productions, TNC gained a growing loyalty from its audience until it ultimately reached its goal of establishing itself as McGill’s third theatrical space. As described by Eliza Townsend, who was heavily involved with TNC between 1978 and 1982, TNC offered a ‘really important opportunity for student-led productions, particularly in contrast to Mainstage productions, while having a tremendous sense of community. It was a stimulating place’ (Townsend).
Location
In the years of Grossman and Brady, room 106 in Morrice Hall was solely used for TNC productions. However, When Aga Khan made a significant donation towards the renovation of the Islamic Studies building in the early 1980s, TNC was fortunate enough to benefit as well. Through this they received upgraded dressing rooms, rehearsal space and theatre. During the 1981-1982 and 1982-1983 seasons, while these renovations were taking place, TNC productions were held in the neighbouring Players’ Theatre.
In the late 1980s and early 1990s Moyse Hall and its Annex were being renovated causing several mainstage productions, as well as the costume facilities, to be relocated to Morrice hall. Despite this exception, throughout most of the 1980s and 1990s TNC was the sole occupiers of almost the entire first floor of the building. Throughout these years under their name TNC had two dressing rooms, a rehearsal room, an office, the theatre, its backstage area and a tech closet. However, by the early 2000s, TNC gradually started losing its space to the Islamic Studies Department, resulting in its current situation in which it is permitted use of the theatre, a classroom on the third floor, the two dressing rooms and an office, which was formerly the tech closet.
Administration
Prior to 2010, TNC’s only funds were allotted to them by the Department of English. They were required to report to Moyse Hall regarding their budget and administrative needs. However, due to an anonymous $50 000 donation in 2010, TNC is now able to use the working capital of this invested sum as its yearly budget causing them to be much less dependent on the Department of English.
In the mid-1990s, a formal constitution was created by TNC which explicitly described the roles and responsibilities of its executive. Since then, the formation of its executive team has remained mostly unaltered, generally including an Executive Director, Technical Director, Publicity Director, Financial Director, Events Director and Front of House and Office Director.
Since its founding, TNC has had two different telephone numbers and two different emails. The first telephone number was (514) 392-4637 which they used until the 1988-1989 season when they switched to (514) 398-6600. In the 2010-2011 season TNC decided to cancel their phone altogether. In 1998-1999 they began using tnc_theatre@hotmail.com as an easier means of communication but switched to tnctheatre@gmail.com in the 2006-2007 season.
Handlist
As can be noted through observing the attached handlist, TNC is a small space which has allowed for a unique, often low-key type of theatre to be produced. Several reoccurring playwrights throughout its history include Harold Pinter, George F. Walker and Edward Albee, whose theatrical styles call for an intimate space such as TNC. The Theatre’s charm is perhaps best described by Shawn Selby, the Technical and Executive Director between 1995 and 1997, who states “it [is] small enough to be accessible to anyone, but big enough to showcase some real talent” (Selby).
1977-1978
|
October
|
COWBOYS # 2 By: Sam Shepard |
· Directed by: Patrick Neilson · Cast: Peter Grossman |
1978-1979
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February
|
CONVENTION By: Shel Silverstein |
· Directed by: Patrick Neilson · Cast: Peter Grossman and Anthony Paré |
1979-1980
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September 23 |
MAUDE AND ME |
|
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October 30,31 November 1,3 * |
ORESTES & THE FURIES: AN EVENING OF BITS AND PIECES |
· Directed by: Chris Caron · Tickets: $1/$2 |
|
November 29, 30 December 1 |
GOD By: Woody Allen |
· ‘an evening of comedy and mime featuring the TNC Comedy Players’ · Tickets: $1/$2 |
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January 22-26 |
LOVE & POWERFUL PROTONS and DEAR OCCUPANT By: Julia Slavin |
· Tickets: $1/$2 |
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February 7, 9 |
KENNEDY’S CHILDREN By: Robert Patrick |
· A dramatic reading · Tickets: $2/$2.50 |
|
February 14-16 |
PORTRAITS OF EMILY By: Sherry Coman |
· Tickets: $1/$2 |
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March 13-15 |
SKIT ROW
|
· ‘A TNC Comedy Players Workshop featuring original sketches by Peter Manos and Dan Gill · Tickets: $1 |
1980-1981
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December 4-6 |
SOMETHING UNSPOKEN By: Tennessee Williams |
· And other one-act plays
|
1981-1982
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November 3-7 |
JACK (or THE SUBMISSION) and THE FUTURE IS IN EGGS (or IT TAKES ALL SORTS TO MAKE A WORLD) By: Eugene Ionesco |
· Performed in Players’ Theatre · Tickets: $2.50/ $3.50 |
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November 17-21
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TAKEN IN MARRIAGE By: Thomas Babe |
· Performed in Players’ Theatre · Tickets: $2.50/ $3.50 |
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January 13-16 |
MISS MARGARIDA’S WAY By: Roberto Athayde |
|
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January 28-30
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MAYOR MAYOR ON THE WALL By: Colleen Curran |
· Performed at Players’ Theatre · Tickets: $2/$3 |
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March 2-6
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FOREVER ENSHRINED IN OUR HEARTS By: Julia Slavin |
· Performed at Players’ Theatre · Tickets: $2/$3 |
1982-1983
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January 18-22
|
GUERNICA – PICNIC ON THE BATTLEFIELD By: Arrabal |
· Performed at Players’ Theatre · Tickets: $3/$4 |
|
February 15-18 * |
TRIFLES By: Susan Glaspell |
· ‘T.N.C. Lunchtime presents’ |
1983-1984
|
November 30 December 1, 2, 3 |
THE GOLDEN CUCKOO By: Denis Jonston |
· Presented in collaboration with McGill Drama and McGill Irish Studies · Directed by Myrna Wyatt Selkirk · Tickets: $3 |
|
January 17 - 21 |
THAT OLD FEELING |
· ‘a 20s and 30s musical revue’ · Tickets: $2/$3 |
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February 22-25 |
THE LOVE COURSE By: A. R. Gurney Jr.
BOESMAN AND LENA By: Athol Fugard |
· Tickets: $3/$4 (double-bill)
|
1984-1985
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October 17-20 |
THE ISLAND By: Athol Fugard |
· Tickets: $3/$4 |
|
November 7-10 |
THE LION IN WINTER By: James Goldman |
· Tickets: $3/$4 |
|
February 27, 28 March 1, 2 |
THE ROCK GARDEN By: Sam Shephard
MY CUP RANNETH OVER By: Robert Patrick
THE LOVER By: Harold Pinter |
· 3 one-act Plays · Tickets: $3/$4
|
|
April 10 - 13 |
BABEL RAP By: John Lazarus
INCOMMUNICADO By: Marc Côté |
· Tickets: $3/$4 |
1985-1986
|
|
WHAT KEEPS A MAN ALIVE – SONGS OF BRECHT |
· free |
|
October 16-19 |
BONJOUR LA BONJOUR By: Michel Tremblay |
· ‘McGill Celebrates Tremblay Month’ |
|
February 12-15 |
NAILS By: Alexina Scott-Savage
MIMESIS By: Stephen Souter
BEFORE THE ACT By: Joe Masrour |
· 3 original one-acts · Tickets: $3/$4 |
|
April 9-12 |
THE KNACK By: Ann Jellicoe |
· Tickets: $3/$4 |
|
July 30, 31 August 1, 2, 6-9 |
NAILS By: Alexina Scott-Savage |
· ‘A workshop Comedy’ · Tickets: $3/$4 |
1986-1987
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October 8-11 |
HOLD ME! By: Jules Feiffer |
· Tickets: $3/$4 |
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February 11 - 14
|
TRIANGLE, CRUSADER and GREEN LAWN REST HOME By: Beverly Simons |
· 3 one-act plays · Tickets: $3/$4 |
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March 4-7
|
THE EFFECT OF GAMMA RAYS ON MAN-IN-THE-MOON MARIGOLDS By: Stephen Souter |
· Tickets: $3/$4 |
1987-1988
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October 21-23, 27-31 |
COSMETIC SURGERY By: Paul Rudnick |
· ‘A modern comedy’ |
1988-1989
|
November 23 - 26 |
TALKING WITH By: Jane Martin |
· Tickets: $3/$4 |
|
February 8 - 10
|
HEADS and THE EDUCATION OF SKINNY SPEW By: Howard Brenton
SURPRISE, SURPRISE By: Michel Tremblay |
· Presented by: ‘The No-Free-Lunch Theatre Bunch’ · Tickets: $1 (double-bill) |
1989-1990
|
October 24-28, 31 November 1-4 |
ON THE VERGE By: Eric Overmeyer |
· Presented by: McGill University Drama · Tickets: $5/$8 |
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November 7-10
|
IMPROMPTU By: Tad Mosel |
· A Lunchtime Production · Tickets: $1 |
|
November 22-25 |
LIFE AND LIMB By: Keith Reddin |
· Presented by: McGill University Drama · Directed by: Myrna Wyatt Selkirk |
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January 11-13, 19-20
|
THE BIRTHDAY PARTY By: Harold Pinter |
· Location: Arts Bulding, Room West 20 · Tickets: $4/$6 · |
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February 14-17 |
SWAN SONG and MARRIAGE PROPOSAL By: Anton Chekhov
SURPRISE SURPRISE By: Michel Tremblay
SPOON RIVER By: Charles Aidman |
· Presented by: The No-Free-Lunch Theatre Bunch · Tickets: $1 (double-bill) |
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March 13-17
|
BEAUTIFUL DEEDS By: Marie-Lynn Hammond |
· ‘A musical play’ · Tickets: $4/$6 |
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March 19-23 |
THE FAN By: Carlo Goldini |
· Tickets: $4/$6 |
1990-1991
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September 25-29 |
DARK LIGHT STORIES
|
· ‘A new and original drama ingeniously conceived and masterfully performed under the dark canopy of the night sky..’ · Location: ‘The courtyard directly behind the James Administration Building in the Great Outdoors’ · Free admission |
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November 27-30 |
WUTHERING HEIGHTS |
· Tickets: $4/$6 |
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March 19-23 |
BETRAYAL By: Harold Pinter |
|
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March 27 |
WORKS IN PROGRESS Host: Kent Stetson |
· ‘An evening of readings by McGill playwrights’ · Presented in collaboration with the Department of English Students Association · Free admission |
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March 25-28 |
THE ANNIVERSARY By: Anton Chekhov |
· ‘a lunchtime show’ · Tickets: $1 |
1991-1992
|
October 21-26 * |
THE SEA By: Edward Bond |
· Tickets: $/$6 |
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January 28-31 February 1
|
CLEANING UP By: Nick Carpenter |
· ‘a new musical in two acts’ · Directed by: Danid Taylor · Musical direction by: Michiel Schrey and Jason Beck · Choreography by: Sylvie Marchand and Kate Carpenter · Tickets: $4/$6 |
|
February 11-15 |
CRIMES OF THE HEART By: Beth Henley |
· Tickets: $4/$6
|
1992-1993
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October 21-24, 27-31 |
NO EXIT By: Jean-Paul Sartre |
· Directed by: Jonathan Bernstein · Cast: Jessalyn Gilsig, Daniel Givern, Matt MacFadzean, Hagar Scher · Tickets: $4/$6 |
|
November 11-14, 18-21 * |
A DREAMER PLAY By: August Strindberg |
· Tickets: $4/$6 |
1993-1994
|
November 2-6 * |
BETTER LIVING By: George F. Walker |
· Tickets: $5/$6 |
|
February 7-12 |
MISS JULIE By: August Strindberg |
· Directed by: Martha McGrath · Tickets: $4/$7 |
|
March 7-12 |
THE CRACK WALKER By: Judith Thompson |
· ‘Special benefit performance for the Montreal Native Women’s Shelter on March 8th’ · Tickets: $4/$7 |
1994-1995
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November 24-26, 30 December 1,2 |
BETRAYAL By: Harold Pinter |
· Tickets: $5/$7 |
|
January 23-28
|
WOLFBOY By: Brad Faser |
· ‘a Horror-Comedy’ · Tickets: $5/$7 |
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February 9-11, 14-16
|
THE TRIAL OF JUDITH K By: Sally Clark |
· Directed by: Mat Small · ‘Resistance is futile... it’s also damn funny.’ · Tickets: $5/$7 |
|
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THE LAST CHANCE CAFE Coffeehouse |
|
1995-1996
|
October 19-21, 26-28 |
WHITE BITING DOG By: Judith Thompson |
· Tickets: $5/$7 |
|
January 29-31 February 1,2 * |
TEMPUS FUGIT CARPE DIEM By: Steve Schertzer
THIS IS NOT THE CIRCUS By: Iona Brindle |
· Presented by The No-Free-Lunch Theatre Bunch · Tickets: $1 · Directed by Julie Sullivan
· Directed by Iona Brindle |
|
February 26-29 March 1,2 |
COUNTING THE WAYS By: Edward Albee |
· Directed by: Darren Gobert · ‘A multimedia exploration of Love and Theatre’ · Cast: Yana Watson and Jean-Ahmed Zigby · Tickets: $5/$7 |
1996-1997
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October 21-26
|
SEX TIPS FOR MODERN GIRLS By: Peter Eliot Weiss |
· Directed by: Nina Steiger · Tickets: $5/$7
|
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November 21-23, 28-30
|
GOSSIP By: George F. Walker |
· ‘A Dark Comedy’ · Presented in collaboration with Acting Out Productions · Directed by: Melanie Wiesenthal · Tickets: $6/$8 |
|
February 6-8, 13-15 |
THIS IS FOR YOU, ANNA By: The Anna Project |
· Directed by: Mala Bhaumik · Cast: Elaine O’Connor, Melissa Holland, Daphne Fedoruk and Olivia Bottenheim · Tickets: $6/$8 |
|
March 17- 22, 24-29
|
DIRECTOR’S PROJECTS
The Lover By: Harold Pinter
Rumours Of Our Death By: George F. Walker
I’m Deaming, But Am I? By: Luigi Pirandello
Rich Relations By: David Henry Hwang
The Actor’s Nightmare By: Christopher Durang
The Problem By: A.R. Gurney Jr.
Mauser By: Harold Pinter
The Collection By: Harold Pinter
Tough! By: George F. Walker |
· Directed by: Lori Chodos
· Directed by: Melanie Wiesenthal
· Directed by: Monica Rosas
· Directed by: G. Andrea Barrett
· Directed by: Neil Mathews
· Directed by Tamar Tembeck
· Directed by: Jessica Caplan
· Directed by: Gabriel Levine |
1997-1998
|
October 20-25
|
THE BALTIMORE WALTZ By: Paula Vogel |
· Directed by: Daniel Mate · Tickets: $6/$8
|
|
November 18-22
|
SEIZE MILLE HISTOIRES D’AMOUR ET TRENTE-DEUX MILLE MORTS By: Paul Volga |
· Presented in collaboration with Le Treatre de la Grenouille · Directed by: Guy Boutin · Tickets: $6/$8 |
|
January 21-24, 27-30
|
A DOLL HOUSE By: Henrik Ibsen |
· Directed by: Matt Allen · Cast: Synthia Tom, Samir Mallal, Vida Panitch, Catherine Farquharson, Ian Hatton, Catherine Lejtenyi and Victor Cicchino · Tickets: $6/$8 |
|
February 3-6 |
SOCK IT TO ‘EM RAY By: Franco Proietti |
· Lunchtime Theatre Series |
|
March 23-31 April 1-4
|
DIRECTOR’S PROJECTS
Aria Da Capo By: Edna St. Vincent Millay
The Ugly Duckling By: A. A. Milne
The Proposal By: Anton Chekhov
The Zoo Story By: Edward Albee
Hello Out There By: William Saroyan
The Ruffian On The Stair By: Joe Orton
‘Still-Love’ By: Robert Patrick
Death Knocks By: Woody Allen
Am I Blue By: Beth Henley |
· Directed by: Moira Sauer
· Directed by: Candice Ornstein
· Directed by: Elizabeth Haydn-Jones
· Directed by: Andrew Linley
· Directed by: Sarah Housser
· Directed by: Philip Pace
· Directed by: isabelle Lewis
· Directed by: Amy Franklin
· Directed by: Michael Mills |
1998-1999
|
October 26-31 |
DEATH AND THE MAIDEN By: Ariel Dorfman |
· Directed by: O.J. Kerr · Tickets: $6/$8 |
|
November 18-21, 25-28
|
THE HOUSE OF YES By: Wendy MacLeod
LENNY AND RENO By: Josh Bloch |
· Directed by: Larysa Kondracki
· Tickets: $6/$8 (double-Bill) |
|
January 26-30 |
MAGICIANS CROSSING By: La Compagnie du Pont-Fleurs |
· Presented in collaboration with the McGill Department of English · ‘A work-in-progress’ · January 21 – Creative process demonstration · January 30-31 – Workshop Series · Tickets: $8/$10 |
|
March 8-20
|
MCGILL DRAMA FESTIVAL (no.11)
A Contemporary Murder By: Erik Nye
Centre Field Wall By: Nada Bouhabib
Berry Tree By: Kimberly Huie
The Opposite of a Duck By: Dave Bowles
Capital DAS By: Michael Wheeler
The Loud Speaker By: Michael Kindellan |
· Directed by: Nada Bouhabib
· Directed by: Jenny Szende
|
1999-2000
|
October 13-16, 20-23 |
TOMONAGA and HAGOROMO (The Feathered Mantle) |
· ‘Two Japanese plays adapted for the west’ · Directed by: Jack Teng and Emily Curwood · Tickets: $6/$8 |
|
November 17-20, 23-27 |
MINNOW’S MOON By: Angie Orrego and Clea Minaker |
· ‘a Puppet play’ · Tickets: $6/$8 |
|
January 20-22, 26-29 |
ROSENCRANTZ AND GUILDRENSTERN ARE DEAD By : Tom Stoppard |
· Directed by: Misha Feldmann and Tyler Hargreaves · Tickets: $6/$8 |
|
February 8-12 |
WIHELM REICH IN HELL By : Robert Anton Wilson |
· Directed by: David Lewhowich and Taliensin McEnaney · Tickets: $6/$8 |
|
March 8-20
|
DIRECTOR’S PROJECTS
Elegy For A Lady By: Arthur Miller
‘Night Mother By: Marsha Norman
The Porfessional By: Dusan Kovacevic
Johnny Mangano and His Astonishing Dogs By: Michel Tremblay
Charming and Rose By: Kelley Jo Burke
Fool For Love By: Sam Sheppard |
· Tickets: $4 (double-bill)
· Directed by: Mike Pagnotta
· Directed by: Vanessa Guillén
· Directed by: Michael Wheeler
· Directed by: Elisa Casella
· Directed by: Laura Levin
· Jordana Commisso
|
2000-2001
|
October 18-21, 25-28 |
NO EXIT By: Jean-Paul Sartre |
· Directed by: Maya Goldenberg · Tickets: $6/$8 |
|
November 15-18, 22-25 |
SISTER MARY IGNATIUS By : Christopher Durang
THE LOVE TAKER By : Deborah Pryor |
· Directed by: Kate Hahnen
Tickets: $6/$8
· Directed by: Heidi Rosbe and Evelyn Orestein
|
|
January 23-27 |
WHO’S AFRAID OF VIRGINIA WOOLF? By: Edward Albee |
· Directed by: Leila Nadel-Cadaxa · Tickets: $6/$8 |
|
January 30 Feb 13, 27 |
PARTICIPATORY DRAMATIC READINGS |
· ‘Great way to get involved in the community at no cost’ · Tuesday Nights |
|
February 7-10, 14-17 * |
RHAPSODY IN PARIS: THE FINAL DAYS OF GEORGE GERSHWIN By: Joel Fishbane |
· Directed by: Joel Fishbane and Shawn Baichoo · Cast: Julia Loewi, Jessica Mackenzie, Maggie Macwhirter, Melinda Wilson and Joel Fishbane · Tickets: $6/$8 |
|
March 7-17
|
MCGILL DRAMA FESTIVAL 2001
Meditations on Color By: Gillian Levene
Four is an Odd Number By: David Bowles
Yellow By: Quinn Fletcher
Being In Love With Bea By: Kellie Knight
Charming and Rose By: Kelley Jo Burke
Fool For Love By: Sam Sheppard |
|
|
April 5,6 |
SUENES CON LOS ANGELITOS (Dream with Little Angels) |
· Directed by: Dina Khorasanee · Tickets: $5/$8 |
2001-2002
|
October 24-27, 31 November 1, 3 |
SEVEN STORIES By: Morris Panych |
· Directed by: Greta Papgeorgiu · Tickets: $6/$8 |
|
November 22-24, 28-30 December 1 |
DRUNK ON OIL By: Becky Lazarovic and Taliensin McEnaney
|
· ‘An original piece created by Taliensin McEnaney and Becky Lazarovic and the Bloodtheblood collective’ · Directed by: Becky Lazarovic and Taliensin McEnaney · Cast: Anna Leventhal, Lireille Tawfik, Martin Vielajus and James Wilson |
|
January 21-26 |
EDUFEST
The Utilizers By: Dan Werb
The Fifteen Minute Hamlet By: Tom Stoppard
Hana Zarankin
Storytelling in Islam
24hour Playwriting Competition
Screenwriting Workshop |
· ‘The Necessary Collective, a new TNC venture’
· Directed by: Dan Werb
· Singer-songwriter
· Presented by the Islamic Studies Department |
|
February 6-9, 13-16 |
MEMORY TREE
|
· A puppet project production by: Angie Orrego, Clea Minaker, Emily de Cola, Laen Herchler, James Lavoie, Sara Newfeld · Music by The Bell Orchestra · Tickets: $6/$8 |
|
March 25-30 April 16, 2011 1-6
|
DIRECTOR’S PROJECTS
The Collective By: Harold Pinter
Betrayal By: Harold Pinter
WOMBman Wars By: Judith Jackson
This Property is Condemned & Talk To Me Like The Rain And Let Me Listen By: Tennessee Williams
The Waste Disposal Unit By: Brigid Brophy
Never Swim Alone By: Daniel MacIvor
The Soldier Dreams By: Daniel McIvor
The Zoo Story By: Edward Albee
The Tibetan Book of the Dead (or How Not To Do It Again) By: Jean-Claude Van Itallie |
· Tickets: $5 (double-bill) $7 (triple-bill)
· Directed by: Kerith Johnson
· Directed by: Tamara Miloradovitch-Geukjian
· Directed by: Yetide Badaki
· Directed by: Ilana Zarankin
· Directed by: Sarah Yaffe
· Directed by: J. Kelly Nestruck
· Directed by: Sasha Kardish
· Directed by: K. Grant Spurling
· Directed by: Shem Samuel Bartner-Aaron
|
2002-2003
|
November 20-23, 27-30 |
THE IMMORTAL Based on short stories by: Jorge Luis Borges |
· Adapted and directed by: James Wilson and Ilana Zarankin · Cast: Kellie Celia, Lara Chatterjee, Leora Morris, Emma Sheppard-Lanza and Max Woertendyke · Original music by: Ted Strauss and Adam Blinick · Tickets: $6/$8 |
|
December 4-7
|
10 MINUTE PLAY FESTIVAL
The Hour of Lamps By: Debbie Mitchell
The Spirit is Willing By: Nicole B. Quinn
Game Theory By: Peter Sagal
The Office By: Kate Hoffower
Lonely By: Ann Marie Healy
Night By: Half Pinter
The Blue Room By: Courtney Baron
Flop Cop By: Laura Cunningham
Anything For You By: Cathy Calesia
So Tell Me About This Guy By: Dolores Whiskeyman
Two Eclairs By: Joe Pintauro
Heads By: John Jory
The Hardy Boys and The Mystery Of Where Babies Come From By: Christopher Durang |
· ‘brought to you by the Department of English and English 474 under the instruction of Professor Myrna Wyatt Selkirk’ · Tickets: $5 with Canned goods/$6 without
· Directed by: Molly McGivern
· Directed by: Liesl Barrell
· Directed by: Eytan Bayme
· Directed by: Michelle MacArthur
· Directed by: Kate Hahnen
· Directed by: Krista Lynch
· Directed by: Kristen Rashotte
· Directed by: Michael Hegenbarth
· Directed by: Sarah Waisvisz
· Shelley Liebembuk
· Directed by: Abigail Elwood
· Directed by: Jayne Kennedy
· Directed by: Liz Truchanowicz |
|
February 5-8, 12-15 |
RISK EVERYTHING By: George F. Walker |
· Directed by: Liz Truchanowicz · Cast: Stephanie Breton, Rachel Horton, Duff Smith and Andre Martin |
|
March 10-15 |
EDUFEST
|
· ‘a new TNC tradition’ |
2003-2004
|
October 16-18, 22-25
|
SEXUAL PERVERSITY IN CHICAGO By: David Mament |
Tickets: $6/$8 |
|
November 12-15, 19-22 |
BABY WITH THE BATHWATER By: Christopher Durang |
· Directed by: Liz Truchanowicz · Tickets: $6/$8 |
|
January 14-17, 21-24 |
CRIMES OF THE HEART By: Beth Henley |
· Directed by: Melanie Derynck · Tickets: $6/$8
|
|
February 4-7, 11-14 |
WAITING FOR GODOT By: Samuel Beckett |
· Directed by: Holly Greene · Tickets: $6/$8 |
|
March 15-20
|
EDUFEST
McGill Improv Troupe
Stand-up Comedy
Music & Dance
‘Dinner on the 14th Floor’ By: Evan Placey
The 24hour playwriting competition |
· ‘A Plethora of visual art, music and improvisational comedy every night’ · Tickets: $6/$8 |
2004-2005
|
October 20-23, 27-30 |
PROOF By: David Auburn |
· Directed by: Leora Morris · Cast: Jessica Besser-Roseberg, Gabe Camozzi, Joel Fishbane and Adrienne Grafton · Tickets: $6/$8 |
|
November 17-20, 24-27
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TOO MUCH LIGHT MAKES THE BABY GO BLIND 30 Neo-Futurist Plays in 30 Minutes |
· “There is no forth wall here. We do not aim to ‘suspend the audience’s disbelief’” · Directed by: Danny Coleman and Kate Walsh · Tickets: $6/$8 |
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January 17-22 |
EDUFEST
Music & Dance
Monologues
Short Films
Circular By: Danny Wright
24hour Playwriting Competition |
· ‘TNC’s week-long festival of celebrating the arts’ · Tickets: $6/$8
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February 2-5, 9-12 |
THE BITTER TEARS OF PETRA VON KANT By: Rainer Werner Fassbinder |
· Tickets: $6/$8 |
2005-2006
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October 19-22, 26-29 |
HANDS AROUND By: Arthur Schnitzler |
· Directed by: Trevor Koob · Tickets: $6/$8 |
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November 16-19, 23-26 |
FOOL FOR LOVE By: Sam Shepard |
· Directed by: Kellie Celia · Tickets: $6/$8 |
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January 11-14, 18-21 |
ARCADIA By: Tom Stoppard |
· Directed by: Alexandra Motut · Tickets: $6/$8 |
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February 1-4, 8-12 |
BETRAYAL By: Harold Pinter
STONES IN HIS POCKETS By: Marie Jones |
· Directed by: Will MacGregor · Tickets: $6/$8 |
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March 6-11 |
ARTIFACT
Music & Dance
Drama
24hour Playwriting Competition |
· Tickets: $6/$8 |
2006-2007
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October 11-14, 18-21
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THE END OF THE EARTH (2 variations) By: Morris Panych |
· Directed by: Vanessa Pope · Cast: Will MacGregor, Lee Marshall, Julie Moreau, Melissa Paulson, Charles Taggart and Mackenzie Tan · Tickets: $6/$8 |
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November 8-11, 15-18
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THE MERCY SEAT By: Neil Labute
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· Directed by: Julia Csillag · Cast: Gabe Richter and Nikki Shaffeeullah · Tickets: $6/$8 |
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January 31 February 1-3, 7-10 |
ART By: Yasmina Reza Translated by: Christopher Hampton |
· Directed by: Melissa Falkner
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March 20-24, 26-31
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DIRECTOR’S PROJECTS
Men Have Heads By: Mahmoud Dyab
Through Blue By: Sarah Stanley
Hidden In This Picture By: Aaron Sorkin
This Is For You, Anna By: The Anna Project
Never Swim Alone By: Daniel MacIvor
My Own Private Oshawa By: Jonathan Wilson
Featuring Loretta By: George F. Walker
Collateral Damage By: Mansei Robinson
Listening By: Edward Albee
The Zoo Story By: Edward Albee
The Lover By: Harold Pinter
A Number By: Caryl Churchill |
· Tickets: $5 per night
· Directed by: Carla Souse
· Directed by: Vanessa Pope
· Directed by: Katie MacMillan
· Directed by: Alexandra Vincent
· Directed by: Kara Fletcher
· Directed by: Nikki Shaffeevllah
· Directed by: Heather Robinson
· Directed by: Emily Kashul
· Directed by: Anna Trowbridge
· Directed by: Nat Stigler
· Directed by: Erin King
· Directed by: Jamie Pohotsky
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2007-2008
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October 1-13, 17-20
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SAVAGE IN LIMBO By: Jon Patrick Shanley |
· Directed by: Julie Moreau · Tickets: $6/$8 |
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November 7-10, 14-17
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WHO’S AFRAID OF VIRGINIA WOOLF? By: Edward Albee |
· Directed by: Nat Stigler · Cast: Sarah Acker, Stuart Wright, Mitch Boughs and Alexandra Vincent · Tickets: $6/$8 |
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January 21-26
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ARTIFACT
Music & Dance Poetry Students Plays Short Films
24hour Playwriting competition
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· Tickets: $6/$8
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February 6-9, 13-16 |
THE ATTIC, THE PEARLS, AND THE THREE FINE GIRLS Created collectively by Jennifer Brewin, Leah Cherniak, Ann-Marie MacDonald, Alisa Palmer and Martha Ross |
· Directed by: Heather Robinson · Cast: Dina Cipin, Julie Moreau and Simone Finch · Tickets: $6/$8 |
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March 19-22, 26-29 |
HOW I LEARNED TO DRIVE By: Paula Vogel |
· Directed by: Katie McMillan · Cast: Mackenzie Rio Davis, Boddy Lamont, Adam Goldhamer, Allyson Graham and Megan Stewart · Tickets: $6/$8 |
2008-2009
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October 22-25, 29-31 November 1 |
DEPARTURES AND ARRIVALS By: Carol Sheilds |
· Directed by: Kara Fletcher · Tickets: $6/$8 |
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November 19-22, 26-29 |
THE BACCHAE By: Euripides |
· Directed by: Dan Ruppel · Tickets: $6/$8 |
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January 12-17
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ARTIFACT
Music Poetry Student Plays Short Films
24hour Playwriting Competition |
· Tickets $6/$8
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February 4-7, 11-14 |
NEVER THE SINNER By: John Logan |
· Directed by: Stephanie Shum |
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March 25-28, 30,31 April 1-4
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DIRECTOR’S PROJECTS
The Laramie Project By: Moises Kaufman
Aalst By: Pol Heyvaert
Stones In His Pocket By: Marie Jones
The Baltimore Waltz By: Paula Vogel
Fulfilling Koch’s Postulate By: Joan Schenkar
How He Lied To Her Husband By: George Bernard Shaw
Therac 25 By: Adam Pettle
Sisters Of The Winter Madrigal By: Beth Henley
In On It By: Daniel MacIvor
Cowboy Mouth By: Sam Shepard |
· Tickets: $5 per night (double-bill) $3 per matinee
· Directed by: Chu-Lynne Ng
· Directed by: Rachel Paul
· Directed by: Jess Kostuck
· Directed by: Dan Ruppel
· Directed by: Steph Ouaknine
· Directed by: Alex Meikleham
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